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Yuji Kaku’s Jigokuraku (Hell’s Paradise) subverts the typical shonen quest for immortality by framing the "Elixir of Life" as a monstrous, dehumanizing force. This paper argues that the series uses its island setting (Shinsenkyo) and its Tensen antagonists to critique Taoist alchemical traditions and biopower, ultimately proposing mortality and emotional connection as true forms of paradise.