|
|
|
|
| Home | American Libraries | Canadian Libraries | Universal Library | Open Source Books | Project Gutenberg | Children's Library | Biodiversity Heritage Library | Additional Collections |
| Anonymous User (login or join us) | Upload |
The Romantics revered the ruin as a nostalgic object—a whole that had decayed gracefully. In contrast, the astilla is not a ruin; it is debris from an explosion. Where the Romantic ruin invited melancholy reflection, the digital splinter invites anxiety and reaction. It is sharp, dangerous, and out of place.
Recommendation algorithms are machines designed to produce astillas . By isolating a specific scene from a film, a line from a book, or a face from a crowd, the algorithm decontextualizes data. These digital splinters float in an infinite scroll, acquiring new meanings with every re-contextualization. A protest sign from 2019 becomes a meme in 2024; the historical reality is lost, but the visual astilla remains lethal. 4. Case Studies: Aesthetics of Fragmentation 4.1 Literature: Cortázar’s "Axolotl" Julio Cortázar, a master of the ontological fracture, wrote stories where reality splinters through obsessive looking. In "Axolotl," the narrator stares into an aquarium until the boundary between observer and observed shatters. The astilla here is the gaze itself—a fragment of perception that cuts through the Cartesian subject. The narrator does not lose reality; he is invaded by a splinter of amphibian existence. Astillas De Realidad
Jacques Derrida’s concept of the parergon (the frame that is neither inside nor outside the work) applies here. The astilla is a parergon that has become the ergon . When a splinter of a news headline, a meme, or a six-second video stands in for an entire geopolitical conflict, the frame has consumed the content. Reality becomes the exception; the splinter becomes the rule. 3. The Phenomenology of the Splinter How does a human body experience an astilla of reality? Unlike a simulation (Baudrillard), which replaces the real, the astilla reminds us of the real while denying us access to its totality. The Romantics revered the ruin as a nostalgic
Astillas de Realidad: Toward a Poetics of Fractured Perception in Post-Digital Narratives It is sharp, dangerous, and out of place