That night, Leo went home and plugged his own battered Telecaster into a small practice amp. On the floor, between the tuner and the overdrive, was a faded green pedal. A Boss CE-2. He’d found it at a flea market for twenty dollars. The battery inside was from 1998.
The evidence was a single audio file: “Exhibit_7_CE-2.wav.” It was a thirty-second guitar riff, clean and crisp at first, then blooming into something watery and lush. A chorus effect. The legal case was a multi-million dollar dispute between two legacy rock bands over who “owned” the sound of a landmark album from 1981. One side claimed the other had digitally recreated their guitarist’s “unique analog warmth” for a reunion tour, infringing on a newly filed “sound signature” patent. boss ce-2 analysis
Leo wrote his report. He didn’t use poetic language. He wrote: “The audio artifact labeled Exhibit_7 exhibits subharmonic clock noise at 15.4 kHz, a non-linear modulation asymmetry of 0.7 degrees, and a voltage sag envelope consistent with a Boss CE-2 operating on a partially depleted 9V alkaline battery. Probability of false positive: 0.3%.” That night, Leo went home and plugged his
Boss CE-2 Analysis.
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