The dialogue is poetry of the absurd. When asked why he won't just hand over the ticket, Tostão growls: “Café passado não se bebe frio, e homem feito não se dobra pra gringo de terno.” (Brewed coffee isn’t drunk cold, and a grown man doesn’t fold for a gringo in a suit.)
The plot, such as it is: Tostão wakes up in a motel in the outskirts of Osasco. He doesn’t remember his name, why he’s wearing a dirty sertanejo hat, or why a parrot is pecking at a detonator on the nightstand. The motel is called Bom Dia (“Good Morning”). The villain, a corrupt real estate developer known only as (cult actor Cláudio Marzo, clearly drunk), has wired the entire motel to explode at 10:00 AM. DURO DE MATAR- UM BOM DIA PARA MORRER
By the final showdown, as the sun rises (the same sunset stock footage from A Grande Família ), Tostão throws The Gringo into a swimming pool full of piranhas that were never foreshadowed. He finds the lottery ticket, now dissolved into pulp in his pocket. He sighs. The parrot, revealed to be an undercover police informant (don’t ask), gives him a thumbs up with its wing. The dialogue is poetry of the absurd