Watch it for: Aneurin Barnard’s feral Mozart; the chilling use of Prague as a character; the final ten minutes, which feel like a knife fight set to strings.
Audience scores were divided. On Rotten Tomatoes, the film holds a 68% critics’ score but a 45% audience score, with many viewers complaining of “slow pacing” and “a bleakness that overstays its welcome.” Yet, over the years, the film has gained a cult following among cinephiles who appreciate its unflinching tone and moral ambiguity. Interlude in Prague never found mass commercial success. Its budget of $5 million barely recouped in theaters. However, it remains a fascinating footnote in the Mozart mythos. It rejects the “Amadeus” model of divine folly for something darker: the idea that great art can spring from ugly places, and that forgiveness is not always part of the composition. interlude in prague -2017-
Mozart lodges with the Duschek family, where he meets the ethereal soprano Josefa (Morfydd Clark). What begins as a professional admiration quickly darkens. The film’s “interlude” refers to the composer’s brief, fatal stay—but also to a horrific act: after a lavish ball, Mozart is drugged and coerced into a sexual encounter with Josefa, who is secretly the protégée of the sadistic, powerful Baron Saloka (Adrian Edmondson, in a terrifying against-type performance). Watch it for: Aneurin Barnard’s feral Mozart; the