If you walk into Simmba expecting realism or nuanced storytelling, you will be disappointed. But if you want to see a superstar at the peak of his powers, delivering punchlines with a wink, cars defying gravity, and a hero who breaks the fourth wall to remind you that "Mumbai police ki tariff karna mana hai" —then Simmba is your perfect guilty pleasure.
★★★☆☆ (3/5) – A high-octane, flawed, yet wildly entertaining masala film that runs on Ranveer Singh’s infectious energy and Rohit Shetty’s unapologetic love for the illogical. Aala re aala! Simmba
The second half of the film becomes a classic cat-and-mouse game, culminating in a brutal climax where Simmba throws away his badge and takes the law into his own hands—publicly beating and hanging the villain. This is where the film’s social messaging (the #MeToo and justice-for-women narrative) collides spectacularly with Rohit Shetty’s signature "enter nahi, dhamaka" philosophy. If Simmba works, it is almost entirely because of Ranveer Singh . The actor, known for his chameleon-like transformations, plays Simmba as a manic, loud-mouthed, Marathi mulga with a heart of gold buried under layers of greed. Singh’s performance is a masterclass in controlled chaos. He shifts from laugh-out-loud funny (the "Aala re Aala Simmba" entry sequence is iconic) to seething, silent rage with astonishing ease. If you walk into Simmba expecting realism or
His life of comfortable corruption is shattered when he meets (Sara Ali Khan), a spirited medical student who falls for his fake bravado. The film’s tonal shift arrives like a sledgehammer. When Shagun’s friend is brutally raped and murdered by Gurunath’s brother, Simmba is forced to confront the moral abyss he has slipped into. The incident awakens the latent conscience within him, transforming the crooked cop into a fiery vigilante. Aala re aala