This changes the stakes entirely. The question is not if the Light will win, but how . And more terrifyingly, in past turnings, the Dragon has failed and joined the Shadow. Jordan introduces a profound existential horror: victory is never permanent, and the hero’s soul is damned to fight the same war for eternity. 2. The Post-Post-Apocalyptic Setting Jordan was a history major and a Vietnam War veteran. He understood that history is not clean. Consequently, his world is not a medieval stasis but a post-post-apocalyptic far future.
As the final line of the series says: “There are no endings, and never will be endings, to the turning of the Wheel of Time.” The Wheel of Time
But it came as close as any story ever has. This changes the stakes entirely
Jordan’s gender essentialism is exhausting. Men and women in his world are perpetually unable to communicate. Nynaeve tugs her braid. Rand broods. The "battle of the sexes" becomes a repetitive shtick. Furthermore, the "Pillow Friends" (intimate female friendships in the Tower) are treated with a voyeuristic, juvenile lens, and the "bond" between Aes Sedai and their Warders (male bodyguards) flirts uncomfortably with slavery and magical sexual control. Jordan introduces a profound existential horror: victory is
Sanderson gave the series an ending. And A Memory of Light is a 900-page continuous battle sequence (Tarmon Gai’don) that rivals The Return of the King for sheer scale. The Wheel of Time is not for the faint of heart. It is slow. It is repetitive. It has a thousand Aes Sedai with names like "Sarene Nemdahl" and "Teslyn Baradon."